Impossible Loves: Essays by Erin McNellis

We are pleased to announce the recent publication of a book we both worked on earlier this year called Impossible Loves, a collection of essays by Erin McNellis, out this month in paperback from Paper Rock Tiger, an emerging press based out of Seattle. Henry copyedited the manuscript and Gretchen handled the permissions for the [...]

Instructions for Happiness and Success by Susie Pearl

Of all the non-fiction authors we’ve worked with over the years, writer Susie Pearl has one of the most buoyant, can-do attitudes we’ve ever had the pleasure of working with. She’s always happy, and this is why we’re so over the moon about the recent news that her upcoming book made the cover of The [...]

Loving the Darcys

As anyone can tell, I work on a large number of Pride & Prejudice continuations. One of the authors whose novels I have the absolute pleasure of working on is Sharon Lathan. Her Darcy Saga series is growing all the time, and the most recent, volume 5, The Trouble with Mr. Darcy, is now available [...]

Bindi Irwin’s New Book Series!

Being a fan of the Irwin family in general for years, and living an hour away from the Australia Zoo for a year, I was thrilled when I was first contacted about Bindi Irwin’s book series, the first two of which have now been published in the U.S. by Sourcebooks: Trouble at the Zoo and [...]

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Welcome to Cogitate

Hello. We’re two book-smart word nerds with over 100 edited books in print. We eat, sleep, breathe editing, writing, and reading. Our backgrounds in the book publishing industry as a former agent (Gretchen Stelter) and managing editor (Henry Covey) have given us expertise in many editorial arenas:

We also give editing and writing workshops and
have spoken on numerous book-publishing panels. Check out our blog on books and editing. If it has to do with words for books and the book industry, and you’re wondering who could help — whatever stage of the editorial process you’re in — we’re the bee’s literary knees.

October 26, 2011 blogroll Comments Off

Our Egghead Name

Our Egghead Name

Cogitate [koj-i-teyt]

To cogitate is to think long and hard about a person, place, thing, or idea. This what we do at Cogitate Studios. Our clients choose us because we think carefully about words, the ideas behind them, and the ways that they are conveyed. Given the definition above, appropriate synonyms for Cogitate  include ponderous, deliberate, expert, Scrabbe-licized, cross-worded, stet-meisters, free-agents, Stumptowners, and eggheads! See our list of published titles and/or about us for more about our work.

October 10, 2011 blogroll Comments Off

Reader’s Reports

Reader’s Reports

There are a number of reasons to get a reader’s report. You may not be in a writers group, book club, or MFA program, for example, so access to honest readers and constructive criticism may be limited. You may be getting ready to pitch a number of agents and need your query letter reviewed. You may have already written a smashing query that’s getting gobs of requests for partials but no bites and need an editor to read your sample chapters to make sure the writing is meeting expectations. Or you may be at the end of a major rewrite and in need of a professional opinion on how to prepare your book for a publisher. Regardless of where you are, if you’re beginning to ask yourself what direction you should be going in with your manuscript, our reports can help you figure where to go editorially.

A reader’s report is a full review of your manuscript, proposal, query letter, or other book-related document. Reports range in size but are usually 7 pages or longer. In our reports, we cover a whole gamut of editorial issues, including main idea, book positioning, content development, organization, introductions and conclusions, transitions, sentence structure, grammar, mechanics, and use of resources. Whatever we end up reporting on, you can be sure that no stone is left unturned.

How does it work?

Email us at info@cogitatestudios.com: in your message include a description of your project and its word count. You can also attach a sample of the writing. One of us will be in touch about availability, turnaround time, and rates. Whichever editor you choose (and/or who we think would fit best) to read your work  marks-up your document in track changes with mainly developmental notes and a little copyediting in spots and then writes a report detailing plot holes, character development, dialogue issues, and so forth, depending on what the elements that need addressing are. Please note that we ask for at least a 3–4 week turnaround time for every report, but manuscripts of monstrous proportions have sometimes taken more than a month. When your report is complete, we send it back to you with an invoice. Net-30 terms with PayPal or check.

 

Rates

In addition to books, we read a lot of book-related documents, so rates differ accordingly.

  • For a reader’s report on a book proposal, we have a flat fee of $200.
  • For a readers report on a one-page query letter, we have a fee of $50 per page (doubled-spaced, 12 pt., and Times New Roman).
  • Our book reporting fees are based on a sliding word-count scale, and our minimum reader’s report fee for a book is $300 if the manuscript is under 30,000 words. From here we base our fee on the style of writing and the book’s genre (reading the Berenstain Bears is different than reading Umberto Eco, after all). In general, manuscripts falling within 50,000–80,000 words are approximately $350; 80,000–110K, $400; 110K–140K, $450, 150K–180K, $500; and so on. If you’re manuscript’s word count is higher, please inquire.

 

Rush jobs

If you’re in a particular hurry, we can turnaround projects faster than the projected times above, but please also note that the projected rates increase in direct proportion to the urgency.

 

October 10, 2011 blogroll, editing services, reader's reports Comments Off

Query Letters

Query Letters

Not everyone knows how to write a query letter or what material to include that will automatically snag the attention of that agent or editor you’ve been fishing for. What’s great about a query letter is that it forces you to articulate your work in an interesting and succinct way. It helps you know your book better. In our reviews, we help isolate and define the essence of your work. What’s the demographic? What are the titles it’s most like? How is your book different than what’s already out there? These are just some of the vital questions that need to be addressed in your query letter, and we can help you answer them.

How does it work?

Email us your query letter as a word document to info@cogitatestudios.com, and we’ll provide developmental notes and copyediting marks as needed using track changes in Word. Since query letters are so small, they don’t take long and can usually be turned around in a week. When your report is complete, we send the marked-up file back to you with an invoice. Net-30 terms with PayPal or check.

 

Rates

Our rate for editing a one-page query letter is $50 (doubled-spaced, 12 point, and Times New Roman). As always, we follow the Editorial Freelancers Association rates.

 

Rush jobs

If you’re in a particular hurry, we can turnaround projects faster than the projected times above, but please also note that the projected rates increase in direct proportion to the urgency.

 

October 9, 2011 blogroll, editing services, query letters Comments Off

Book Proposals

Book Proposals

You did it; you penned a book or have the perfect idea for one, but a lot of writers don’t realize that the content you put into your book proposal is some of the most crucial material your book will have supporting it throughout the editorial and publishing processes. After all, as a writer, you first have to sell your book to an agent, and that agent has to sell it to an editor, who must sell it to marketing and publicity. Then marketing and publicity have to sell it to the sales department, who in turn must sell it to chain and independent book buyers. And so on and so on, until it ends up on your readers’ bookshelves. A strong, well-structured book proposal significantly increases your chances of seeing your book through this whole process.

What a lot of people don’t know is that sometimes you don’t have to write an entire manuscript before submitting a proposal, which can save time, blood, sweat, and tears in the long run. In the case of many non-fiction and graphic novel projects, for example, publishers, literary agents, and commissioning editors will ask for more work based simply on a cogent, sparkling proposal with sample material.

However, it’s essential to follow the right format and prepare the critical information to increase your chances of snagging the book deal you’re after. Several areas must be addressed, such as making sure you have a snappy book blurb and a section that that analyzes your book’s demographic. What are your marketing or social media plans? What kind of sample material should you include? What titles are similar, and what’s new about your book? We can help you craft answers for these questions and more.

How does it work?

Email us at info@cogitatestudios.com: in your message, include a description of the work and its word count. If you can attach some sample writing, that’s great. One of us will be in touch about availability, turnaround time, and rates. We like to start the whole process off by sending you a questionnaire to fill out. It’s focused on all the questions you want to ask yourself about positioning your book (because they’re the same ones agents, editors, marketers, and publicists will be asking). After you send us back the questionnaire, whichever editor you choose (and/or who we think would fit best) reads it and, armed with your questionnaire and any notes, is usually able to build and deliver a targeted proposal in 3–4 weeks. Some take longer, of course. When it’s complete, we send it back to you with an invoice. Net-30 terms with PayPal or check.

Rates

We charge $50/hour for proposals. Of course, every project is unique, but in the past, it’s taken anywhere from 30–60 hours to build a proposal from scratch. As always, we follow the Editorial Freelancers Association rates.

Rush jobs

If you’re in a particular hurry, we can turnaround projects faster than the projected times above, but please also note that the projected rates increase in direct proportion to the urgency.

 

October 8, 2011 blogroll, book proposals, editing services Comments Off

Ghostwriting

Ghostwriting

Many different walks of life have hired us to ghostwrite for them, and in each case, we’ve had varying degrees of involvement. Sometimes we’ve been hired to edit and clean up a rough draft, and other times we were hired to do most of the writing based on an outline provided by the author. For some projects, a substantial amount of research is required, like taping and transcribing interviews. One non-fiction project took a full year to research, write, and edit for a client, for example. On the other hand, we’ve completed projects as short as press releases for book launches.

How does it work?

Email us at info@cogitatestudios.com: in your message, include a description of your project and its word count. You can also attach a sample of the writing. One of us will be in touch about availability, turnaround time, and rates.

Rates

There are many ways to gauge a ghostwriting rate: we have been paid per page, with a flat fee, a percentage of the royalties of the sales, or some combination thereof. It really depends on the size of the project. If you want something short, say, under a page, we charge $0.50 word. If you need something more substantial, we can create 1–3 manuscript pages per hour at $60 per hour. If it’s bigger than this, a consultation is preferred. Please refer to the Editorial Freelancers Association for example writing rates. Net-30 terms with PayPal or check.

Rush jobs

If you’re in a particular hurry, we can turnaround projects faster than the projected times above, but please also note that the projected rates increase in direct proportion to the urgency.

 

October 7, 2011 blogroll, editing services, ghostwriting Comments Off

Developmental editing

Developmental editing

Developmental editing more radically addresses the content of a work: the way material should be presented, the need for more character development, how the voice should be handled, and so on. Since editing of this kind may involve total rewriting or reorganization of a work, it should be done before submitting to publishers and agencies.

How does it work?

Email us at info@cogitatestudios.com: in your message, include a description of the work and its word count, as well as a sample of the writing if you want to attach one. One of us will be in touch about availability, turnaround time, and rates. Whichever editor you choose (and/or who we think would fit best) to read your work then marks-up your document in track changes. We ask for a minimum turnaround time of 3–4 weeks for each pass of developmental editing on a full manuscript. When your mark-up is complete, we send it back to you with an invoice. Net-30 terms with PayPal or check.

Rates

Our rate for developmental editing is $50–70/hour. As always, we follow the Editorial Freelancers Association rates.

Rush jobs

If you’re in a particular hurry, we can turnaround projects faster than the projected times above, but please also note that the projected rates increase in direct proportion to the urgency.

 

October 7, 2011 blogroll, developmental, editing services Comments Off

Copyediting

Copyediting

Copyediting, sometimes called line editing, requires attention to every word in a manuscript, a thorough knowledge of the style to be followed, and the ability to make quick, logical, and defensible decisions. This type of editing is usually undertaken when a manuscript is being prepared or has been accepted for print or online publication, but this is not a hard-set rule. The full scope of copyediting falls into two orders of concern: substantive and mechanical copyediting.

Substantive copyediting

Substantive copyediting deals with the organization and presentation of existing content. It involves rephrasing for smoothness or to eliminate ambiguity, reorganizing or tightening text, reducing or simplifying documentation, or recasting tables and other remedial activities.

Mechanical editing

Mechanical editing deals mainly with grammar and other lower-order issues, like consistency in capitalization, spelling, hyphenation, table format, use of abbreviations, and so forth; correctness of punctuation, including ellipsis points, parentheses, and quotation marks; the way numbers are treated; consistency between text, tables, and illustrations; citation format; and other matters of style. This also includes attention to grammar, syntax, and usage at the most basic level.

How does it work?

Email us at info@cogitatestudios.com: in your message, include a description of the work, its word count, and attach a sample of the writing. One of us will be in touch about availability, turnaround time, and rates. Whichever editor you choose (and/or who we think would fit best) to read your work then marks-up your document in track changes. We ask for a minimum turnaround time of 3–4 weeks for each pass of copyediting on a full manuscript. When your mark-up is complete, we send it back to you with an invoice. Net-30 terms with PayPal or check.

 

Rates

Our rate range for light/mechanical to heavy/substantive is $30–50/hour. As always, we follow the Editorial Freelancers Association rates.

Rush jobs

If you’re in a particular hurry, we can turnaround projects faster than the projected times above, but please also note that the projected rates increase in direct proportion to the urgency.

 

October 6, 2011 blogroll, copyediting, editing services Comments Off

Proofreading

Proofreading

Proofreading is the last major stage of the editing process. As always, reading and consistent marking remain essential. When we proofread, we read word for word, noting all punctuation, paragraphing, capitalization, and italics, and ensure that any editing has been correctly interpreted. We also watch for the kind of errors missed by computer spell checkers and grammar bots: like double-checking word breaks, hyphenation, typeface, font, heads and subheads, set-off material, page numbers and running heads, illustrations and tables, page length, table of contents, article or chapter titles, footnotes, index, cross references, half title and title page, jacket copy, spine, and overall sense of appearance.

How does it work?

You email us at info@cogitatestudios.com with a description of your project and its word count. One of us will be in touch about availability, turnaround time, and rates. Whichever editor you choose (and/or who we think would fit best) to read your work then marks-up your proof pages in Adobe Professional. We ask for a minimum turnaround time of three weeks for each proofreading pass on a full manuscript. When your mark-up is complete, we send it back to you with an invoice. Net-30 terms with PayPal or check.

 

Rates

Our rate for proofreading rate is $25/hour. As always, we follow the Editorial Freelancers Association rates.

Rush jobs

If you’re in a particular hurry, we can turnaround projects faster than the projected times above, but please also note that the projected rates increase in direct proportion to the urgency.

 

October 5, 2011 blogroll, editing services, proofreading Comments Off

Some Wellknown Edited Titles in Print

Jill Mansell News!

Jill Mansell News!

Jill Mansell is making some waves. Not only is her newest book, Staying at Daisy’s, fresh out in the US, but her novel Miranda’s Big Mistake is #12 on the New York Times ebook bestseller list and #86 on the USA Today bestseller list this week! I had the honor of proofreading the US edition of Miranda’s Big Mistake. I also got to do the proofreading for the US Staying at Daisy’s and the copyediting for the US edition of Take a Chance on Me, which won the Romance Novelists’ Association’s Pure Passion Romantic Comedy Prize! [...]

A Race to Splendor

A Race to Splendor

The inestimable Ciji Ware’s sixth novel, out from Sourcebooks Landmark on March 31, is historical fiction inspired by the female architect Julia Morgan and the 1906 San Francisco earthquake. And I copyedited it! It’s a lovely and amazing read, for historical fiction and women’s fiction fans. It’s also a wonderful book to mention along with the announcement that I will be speaking to the Rose City Romance Writers (the Portland chapter of the Romance Writers of America) in April! More on that to come! [...]

Whist, Blood Pudding, and Pride & Prejudice

Whist, Blood Pudding, and Pride & Prejudice

A lot has happened in the past month, causing me to neglect the dear blog. In the past four weeks, I had a nasty cold that held on for at least two of those weeks, both parents came to visit, I worked on no less than five editing projects, and a number of books that I worked on were published. In particular, I copyedited a novella collection that will come out from Sourcebooks this winter, which gave me the opportunity to not only work with two authors I’ve sincerely enjoyed working with before, but also gave me the chance to work on a novella for the first time (pretty much the same as other fiction, only, you know, shorter) and work with a debut author on her Pride & Prejudice re-imagining (which is also a kind of A Christmas Carol re-imaging—very cool). [...]

Beautiful People (Wendy Holden’s, not Marilyn Manson’s)

Beautiful People (Wendy Holden’s, not Marilyn Manson’s)

This week, I’m finishing up a proofreading job for Sourcebooks Landmark by the talented Wendy Holden, and it occurred to me that this amazing author’s first book to come out from Sourcebooks Landmark (though previously published in the UK) is coming out in April. So, yes, I did actually proofread Beautiful People for Sourcebooks, but that’s not actually going to stop me from buying this book and placing it on my shelf as well. Chick lit has become a derogatory term in recent years, and though some remain embarrassed to love anything in this genre, I embrace it, especially when it is populated with flawed yet lovable heroines, shallow villains whose downfalls give you delightful schadenfreude, and witty dialogue. [...]

Test Your TV Knowledge

Test Your TV Knowledge

I proofread and fact-checked David Hofstede’s Obsessed With TV for Becker & Meyer. The book contains over 2,500 trivia questions on television shows, icons, awards, and general knowledge. It also includes a cool computerized module embedded in a corner of the cover that allows gamers to compete against themselves or friends. Published by Chronicle Books. [...]

Elemental Love Styles Published

Elemental Love Styles Published

In Elemental Love Styles, Dr. Craig Martin defines the romantic character–leanings of the four elements and explores how each type interacts with themselves and their partner. I was the copyeditor on it for Dr. Martin’s publishing house, Beyond Words/Atria Books. The great thing about this editing job was that the author and editors before me [...]

Everyone Loves Perfect Timing (by Jill Mansell, not the David Lee Roth song)

Everyone Loves Perfect Timing (by Jill Mansell, not the David Lee Roth song)

In this fresh and funny contemporary romance by bestselling author Jill Mansell, Poppy Dunbar’s whole life gets turned upside down after a chance encounter. This was the fourth Jill Mansell book Sourcebooks hired me for; the assignment was to get this romp ready for its stateside edition, which included Americanizing (to a certain degree) pop-culture [...]

The Grove Review

The Grove Review

In this fourth issue of the Grove, we managed the art and editorial, which included overseeing submissions, editing, permissions, the interior and cover, and proofing. The issue produced a lot of blood, sweat, and tears, but it was well worth the effort. In this issue: Poetry: Talvikki Ansel, Jackie Bartley, Josh Booton, Chris Dombrowski, James [...]

Blog on Books & Editing

The Editorial State of the Media

The Editorial State of the Media

As editors, readers, and writers here at Cogitate, we’re concerned with the integrity of the news and entertainment many consume every day. We’ve always advocated for critical consumption, and there has never been a more important time than now to be aware of the sources of our daily info and entertainment diets because today most [...]

About Getting Lit

About Getting Lit

Dear Get Lit! The names of things do not oftentimes do their owners justice, but such is not the case with you, Get Lit! Even the exclamation that punctuates you, a mark that we as editors encourage only sparingly, is appropriate and gives you the character you deserve. Indeed, the bookish zeal of the gentle [...]

PDX RWA Workshop

PDX RWA Workshop

I’m so pleased to announce that I will be giving a workshop on crafting a pitch and executing it for the Rose City Romance Writers, the Portland Chapter of the Romance Writers of America, April 9, 2011. Pitch sessions at writers conferences are often a big draw, but they can be nerve-wracking and are often [...]

The Studios in Words and Images

The Studios in Words and Images

Gentle reader, Cogitate has been so swamped lately that we decided against a booth at Portland’s Wordstock this year. Instead, we  thought a pleasant stroll through our studios might be a more illuminating alternative for you. Where do we start? The most obvious of places: letters and words, the units of thought:

Massaging the Text

Massaging the Text

It’s amazing how much work a good idea takes to develop into a publishable concept. This is especially true of nonfiction that is written for a general audience, which is composed of readers who may or may not care about your book topic until they’ve had a chance to digest your words on the matter. If you have a lot of data-rich content, such as facts, figures, theories, and other empirical minutia from studies and articles, the challenge is often retaining your readers’ attention. You either grab ‘em and hold on tight, or you lose ‘em. [...]

The Character of Your Characters

The Character of Your Characters

The past month has been more about working with authors than working with publishers, which always has me on the lookout for across-the-board issues that I can provide some general tips on for other authors. I was also recently asked to do a Q&A for the amazing writer Debra L. Schubert’s blog, which had me thinking about how to answer general questions about editing in a way that benefits a group of authors, as well. [...]

What’s Your Genre?

What’s Your Genre?

What’s Your Genre? One thing that became apparent as we were compiling statistics after the writer’s survey was that “genre” and “demographic” often meant different things to different writers. For example, we printed out the Genre column to do some preliminary numbers on young adult vs. adult, what sort of adult fiction we got, etc., [...]

Cogitate Studios Writers’ Contest

Cogitate Studios Writers’ Contest

The contest is currently closed for entries! Thank you so much to all who participated. Beginning this week, we will be posting responses, statistics, and our own responses to the questions we posed to participants. As the rules state, on Monday, June 21, we will be posting the winners, and sending out some books. We [...]

The Alchemy of Editing

The Alchemy of Editing

The  longer title for this post is: Why You Must Love the People You Work With. Editing is, in many ways, more creative than people realize. Proofreading, of course, is a relatively straightforward job, requiring the editor have a knowledge of grammar rules, current trends (yes, even grammar has them), and house style guides. That [...]

Richard “Book Brahmin” Dawson

Richard “Book Brahmin” Dawson

In homage to Shelf Awareness’s awesome Book Brahmin feature, and so Gretchen’s reading tastes aren’t all you get to hear about,” I’ve crawled out from underneath my paper mountain to complete an auto-anthropological survey of recent bibliographic habits. Hang on to your bookmarks ’cause here we go! On your nightstand now I’m on page 50 [...]

And the Survey Says (I prefer to hear that in Richard Dawson’s voice)

And the Survey Says (I prefer to hear that in Richard Dawson’s voice)

On the Baker’s Mark site in July, I posted a blog in homage to Shelf Awareness’s wonderful Book Brahmin feature. In honor of the fact that I actually have different answers to these questions at this point, and to the fact that I’m crunched for time with deadlines, I have updated it here. I’m going [...]

Copywriting & Book Promotion

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