The longer title for this post is: Why You Must Love the People You Work With. Editing is, in many ways, more creative than people realize. Proofreading, of course, is a relatively straightforward job, requiring the editor have a knowledge of grammar rules, current trends (yes, even grammar has them), and house style guides. That being said, even certain grammar rules require a subjective look, e.g., “Does this sentence need a comma, or does it make sense without it?” (I’m not lying; CMOS 6.20 is “In a series whose elements are all joined by conjunctions, no commas are needed unless the elements are long and pauses helpful.”)
But more than that, as an editor, you need to know if your editing style is going to work with the author’s style. I run into this a lot in the work I do with historical and UK fiction, and Henry and I both encounter it on ghost writing projects. Personally, I tend to consistently follow rules, such as ellipsis to indicate stuttering speech or trailing off and em dashes to show interruption (within quotation marks) or an interruption in the dialogue to explain movement (em dashes in the middle of dialogue but outside the quotation marks).
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